The Greeks, with their quick artistic instinct, understood this, and set in the bride's chamber the statue of Hermes or of Apollo, that she might bear children as lovely as the works of art that she looked at in her rapture or her pain. They knew they that life gains from art not merely spirituality, depth of thought and feeling, soul-turmoil or soul-peace, but that she can form herself on the very lines and colours of art, and can reproduce the dignity of Pheidias as well as the grace of Praxiteles. Hence came their objection to realism.
Oscar Wilde, The Decay of Lying and Other Essays, Penguin Books, 2010, p. 22.
Oscar Wilde, The Decay of Lying and Other Essays, Penguin Books, 2010, p. 22.
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